Arthur Edeson

 

Arthur Edeson

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Arthur Edeson var en filmarbetare. Han föddes i New York City, New York, USA den 24 oktober 1891. Arthur Edeson dog 14 februari 1970, han blev 78 år. Han är känd för bland annat Casablanca (1942), The Maltese Falcon (1941), All Quiet on the Western Front (1930), Frankenstein - mannen som skapade en människa (1931) och Den osynlige mannen (1933).

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Arthur Edeson

Född 1891-10-24 (133 år sedan) i New York City, New York, USA. Död 1970-02-14 (78 år).

Mer om Arthur Edeson

IMDb Wikipedia The Movie Database
Nominerad för utmärkelser
Utmärkelse Gala År Nominerad för
Academy Award for Best Cinematography, Black-and-White (Casablanca) 16th Academy Awards 1943 Casablanca
Academy Award for Best Cinematography, Black-and-White (All Quiet on the Western Front) 3rd Academy Awards 1930 All Quiet on the Western Front
Academy Award for Best Cinematography (In Old Arizona) 3rd Academy Awards 1930 In Old Arizona
Academy Award for Best Cinematography (All Quiet on the Western Front) 3rd Academy Awards 1930 All Quiet on the Western Front
Academy Award for Best Cinematography, Black-and-White (In Old Arizona) 2nd Academy Awards 1929 In Old Arizona

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Arthur Edeson

Biografi från Wikipedia Extern länk till biografins källa

From Wikipedia

Arthur Edeson, A.S.C. (October 24, 1891 - February 14, 1970)

was a film cinematographer, born in New York City.

He was nominated for three Academy Awards in his career in

cinema.

Edeson began his career as a still photographer, but turned

to movies in 1911 as a camera operator at the American Éclair Studio in Fort

Lee, New Jersey when it and many other early film studios in America's first

motion picture industry were based there at the beginning of the 20th century.

When the Éclair Studio was reorganized as the World Film

Company, he was promoted to chief cinematographer assigned to the star Clara

Kimball Young. Throughout the twenties, Edeson photographed a number of

important films, including Douglas Fairbanks' Robin Hood (1922) and The Thief

of Bagdad (1924), and the ground breaking special effects film The Lost World

(1925).

When sound came in, Edeson experimented with camouflaging

the microphones in exterior shots. In Old Arizona (1929), the first sound film

to be shot outside a studio, provided evidence to Hollywood executives that

talking pictures need not be confined to the sound stage. The western was also

the first film to be made in the 70mm widescreen process, known as "Fox

Grandeur".

In the early thirties, perhaps his most memorable creative

partnership was formed with director James Whale, for whom he photographed the

first three of Whale's quartet of horror films: Frankenstein (1931), The Old

Dark House (1932), and The Invisible Man (1933).

His principal work was on the side of realism, which is

considered by most film historians to represent the "zenith of Hollywood

photography." Edeson built on the influence of German Expressionism,

brought to the America cinema by German cinematographers during the 1920s.

In 1919, Edeson was one of the founders of the American

Society of Cinematographers.

Innehåll från Wikipedia tillhandahålls enligt villkoren i Creative Commons (CC BY-SA 3.0).

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